The Hungry Woman Cherrie Moraga Pdf Editor

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The Hungry Woman- Cherrie Moraga. Southern states of US. Mechicano (N. Mexican) country where Chicanos live and Medea is exiled from. Mexicans who revolt. Union of Indian Nations. Southwest, Great Plains, Rocky Mountain regions. First Nations Peoples. In The Hungry Woman, an apocalyptic play written at the end of the millennium, Moraga uses mythology and an intimate realism to describe the embattled position of Chicanos and Chicanas, not only in the United States but in relation to each other.

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Primary Sources

  1. Alarcón, Norma and Ana Castillo, eds. Sexuality of Latinas. Berkeley: Third Woman Press, 1983.Google Scholar
  2. Anzaldua, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Spinsters/Aunt Lute, 1987.Google Scholar
  3. Anzaldua, Gloria. and Cherrie Moraga, eds. This Bridge Called My Back: Radical Writings By Women of Color. Watertown, MA: Persephone Press, 1981; 2d. ed. New York: Kitchen Table Press, 1983.Google Scholar
  4. Cervantes, Lorna Dee. Emplumada. Pittsburg: University of Pittsburgh Press, 1981.Google Scholar
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  6. De La Pena, Terri. Margins. Seattle: Seal Press, 1992.Google Scholar
  7. Gómez, Alma and Mariana Romo-Carmona, eds. Cuentos: Stories by Latinas. New York: Kitchen Table Press, 1983.Google Scholar
  8. Grahn, Judy. The Work of A Common Woman: The Collected Poetry of Judy Grahn. New York: St. Martin’s Press, 1978.Google Scholar
  9. Lorde, Audre. Zami: A New Spelling of My Name. Freedom, CA: Crossing Peers Press, 1982.Google Scholar
  10. Lorde, Audre. Sister/Outsider: Essays and Speeches. Trumansburg, NY: Crossing Peers Press, 1984.Google Scholar
  11. Cherrie Moraga. Giving Up the Ghost: Teatro in Two Acts. Berkeley: Small Press Distribution, 1986.Google Scholar
  12. Cherrie Moraga. Esta Puente, Mi Espalda: Voces de Mujeres Tercermundistas en los Estados Unidos. Norma Alarcon and Ana Castillo, eds. and trans. Berkeley: Third Woman Press, 1988.Google Scholar
  13. Cherrie Moraga. The Last Generation: Prose and Poetry. Boston: South End Press, 1993.Google Scholar
  14. Cherrie Moraga. Waiting in the Wings: Portrait of a Queer Motherhood. Ithaca, NY: Firebrand Books, 1997.Google Scholar
  15. Cherrie Moraga. The Hungry Woman: A Mexican Medea. Albuquerque: University of New Mexico Press, 2001.Google Scholar
  16. Cherrie Moraga. Heroes and Saints & Other Plays. Albuquerque: University of New Mexico Press, 2001.Google Scholar
  17. Obejas, Achy. We Came All the Way from Cuba So You Could Dress Like This? Pittsburg, PA: Cleis Press, 1994.Google Scholar
  18. Obej as, Achy. Memory Mambo. Pittsburg, PA: Cleis Press, 1996Google Scholar
  19. Pérez, Emma. Gulf Dreams. Berkeley: Third Woman Press, 1996.Google Scholar
  20. Rich, Andrienne. “Disloyal to Civilization: Feminism, Racism, Gynophobia.” On Lies, Secrets, and Silence: Selected Prose1966–1978. Nok York: Norton, 1979.Google Scholar
  21. Rodriguez, Richard. Hunger of Memory: The Education of Richard Rodriguez. Boston: D. R. Godine, 1982.Google Scholar
  22. Trujillo, Carla, ed. Chicana Lesbians: The Girls Our Mother Warned Us About. Berkeley: Third Woman Press, 1993.Google Scholar
  23. Viramontes, Helena Maria. The Moths and Other Stories. Houston: Arte hIblico, 1985.Google Scholar

Secondary Sources

  1. Alarcon, Norma. “Chicana’s Feminist Literature: A Re-vision through Malintzin or Malintzin: Putting Flesh Back on the Object.” This Bridge Called My Back: Writings by Radical Women of Color. Gloria Anzaldûa and Cherrie Moraga, eds. Watertown, MA: Persephone Press, 1981. 182–190.Google Scholar
  2. Anzaldûa and Cherrie Moraga, eds. ‘What Kind of Lover Have You Made Me, Mother?’ Women of Color: Perspectives on Feminism and Identity. Audrey T. McCluskey, ed. Bloomington: Women’s Studies Program. Indiana University, 1985. 85–110.Google Scholar
  3. Anzaldûa and Cherrie Moraga, eds. “Interview with Cherrie Moraga.” Third Woman 3, nos. 1 & 2 (1986): 127–134.Google Scholar
  4. De la Pena, Terri. “The Latina Legacy: A Personal Overview of Latina Lesbian Literature.” Lambda Book Report, 7, no. 11 (1999): 12.Google Scholar
  5. del Castillo, Adelaida. “Malintzin Tenepal: A Preliminary Look into a New Perspective.” Essays on la Mujer. Rosaura Sanchez and Rosa Martinez Cruz, eds. Los Angeles: University of California, Chicano Studies Center Publications, 1977. 124–149.Google Scholar
  6. Espinoza, Dionne. “Women of Color and Identity Politics: Translating Theory, Haciendo Teoria.” Other Sisterhoods: Literary Theory and U.S. Women of Color. Sandra Kumamoto Stanley, ed. Urbana and Chicago: University of Illinois Press, 1998. 44–62.Google Scholar
  7. García, Alma. “The Development of Chicana Feminist Discourse, 1970–1980.” Gender & Society 5, no. 2 (1989): 217–238.CrossRefGoogle Scholar
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  9. Quintanales, Mirtha N. “Loving in the War Years: An Interview with Cherrie Moraga.” Off Our Backs 14, no. 12 (1985): 13–14.Google Scholar
  10. Reyes, Rosi. “After the War Years.” Color Lines 4, no. 2 (summer 2001): 33–35.Google Scholar
  11. Romero, Lora. “’When Something Goes Queer’: Familiarity, Formalism, and Minority Intellectuals in the 1980s.” The Yale Journal of Criticism 6, no. 1 (1993): 121–141.Google Scholar
  12. Sharpe, Christina. “Learning to Live Without Black Familia: Cherrie Moraga’s Nationalist Articulations.” Tortilleras: Hispanic and Latina Lesbian Expression. Lourdes Torres, ed. Philadelphia: Temple University Press, forthcoming.Google Scholar
  13. Short, Kayann “Coming to the Table: The Differential Politics of This Bridge Called My Back” Genders 3 (1994).Google Scholar
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  16. Yarbro-Bejarano, Yvonne. “Cherrie Moraga.” Dictionary of Literary Biography. Francisco A. Lomeli, Carl R. Shirley, eds. Volume 82: Chicano Writers. First Series. Detroit, MI: Gale Research, 1989. 165–177.Google Scholar
  17. Yarbro-Bejarano, Yvonne. The Wounded Heart: Writing on Cherrie Moraga. Austin: University of Texas, 2001.Google Scholar
BornCherríe L. Moraga
September 25, 1952 (age 66)
Los Angeles, California, U.S.
Occupation
  • Playwright
  • activist
NationalityAmerican
Subject
Notable worksThis Bridge Called My Back, Heroes and Saints
Notable awardsCritics' Circle; PEN West; American Book Award

Cherríe Moraga[1] (born September 25, 1952) is a Chicana writer, feministactivist, poet, essayist, and playwright.[2][3] She is part of the faculty at the University of California, Santa Barbara in the Department of English. Moraga is also a founding member of the social justice activist group La Red Xicana Indígena which is an organization of Xicanas fighting for education, culture rights, and Indigenous Rights.[4]

  • 2Writing and themes
  • 3Career
    • 3.1Literature and writing
  • 4Select bibliography

Early life[edit]

Moraga was born on September 25, 1952 in Los Angeles County, California.[5] In her article 'La Guera' Moraga wrote of her experiences growing up as a child of a white man and a Hispanic woman, stating that 'it is frightening to acknowledge that I have internalized a racism and classism, where the object of oppression not only someone outside of my skin, but the someone inside my skin.'[6] Moraga has cited her mother as her main inspiration to become a writer, stating that she was an eminent storyteller.[7]

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She attended Immaculate Heart College in Los Angeles, gaining a graduated bachelor's degree in English in 1974. Soon after attending, she enrolled in a writing class at the Women's Building and produced her first lesbian poems.[5][8] In 1977 she moved to San Francisco where she supported herself as a waitress, became politically active as a burgeoning feminist, and discovered the feminism of women of color. She earned her master's degree in Feminist Writings from San Francisco State University in 1980.[citation needed]

Writing and themes[edit]

Moraga has been credited[by whom?] as one of the few writers to write and introduce the theory of Chicana lesbianism.[citation needed] Themes in her writing include the include the intersections of gender, sexuality, and race, particularly in cultural production by women of color.[9] Moraga's work was featured in tatiana de la tierra's Latina lesbian magazine Esto no tiene nombre, which sought to inform and empower Latina lesbians through the work of writers like Moraga.[9]

Sexuality[edit]

Moraga is openly gay, having come out as a lesbian after her college years. In 'La Guera' Moraga compared the discrimination she experienced as a lesbian to her mother's experiences being a poor, uneducated Hispanic woman, stating that “My lesbianism is the avenue through which I have learned the most about silence and oppression, and it continues to be the most tactile reminder to me that we are not free human beings”.[7] After coming out, Moraga began writing more heavily and became involved with the feminist movement.[citation needed] In Loving in the War Years, Moraga cites Capitalist Patriarchy: A Case for Social Feminism as an inspiration when realizing her intersecting identity as a Chicana lesbian, saying, 'The appearance of these sisters' words in print, as lesbians of color, suddenly made it viable for me to put my Chicana and lesbian self in the center of my movement.'[10]

Career[edit]

Literature and writing[edit]

Moraga co-edited the anthology This Bridge Called My Back: Writings by Radical Women of Color with Gloria Anzaldúa.[11] The first edition was published in 1981 by Persephone Press.

In 1983 Barbara Smith, Audre Lorde and Moraga started Kitchen Table: Women of Color Press, which has been credited as the first publisher dedicated to the writing of women of color in the United States. Kitchen Table published the second edition of This Bridge Called My Back. In 1986, the book won the Before Columbus Foundation American Book Award for that year.[12] Along with Ana Castillo and Norma Alarcon, Moraga adapted this anthology into the Spanish-language Esta puente, mi espalda: Voces de mujeres tercermundistas en los Estados Unidos.[13] Later that same year Moraga's first sole-authored book, Loving in the War Years: lo que nunca pasó por sus labios, was published.[14]

In 2007 Moraga was named a 2007 USA Rockefeller Fellow and granted $50,000 by United States Artists.[citation needed][15] She won a Creative Work Fund Award in 2008, and the Gerbode-Hewlett Foundation Grant for Playwriting in 2009.[16]

Still Loving in the (Still) War Years[edit]

In 2009 Moraga published the essay “Still Loving in the (Still) War Years: On Keeping Queer Queer', which critiqued the mainstreaming of LGBT politics through an emphasis on same-sex marriage. During the essay she also discussed transgender people in queer communities and critiqued the increasing inclusion of trans issues in LGBT politics. She argues that young people are being pressured into transitioning by the larger queer culture, stating “the transgender movement at large, and plain ole peer pressure, will preempt young people from residing in that queer, gender-ambivalent site for as long and as deeply as is necessary.” (184)[incomplete short citation] Some community members such as Morgan Collado and Francisco Galarte responded by emphasizing how this invalidated and dismissed the lived experience of young people who decide to transition.[17][18] In this essay Moraga goes further to lament what she sees as the loss of butch and lesbian culture to those who choose to transition, stating that she “[does] not want to keep losing [her] macha daughters to manhood through any cultural mandates that are not of our own making.” (186) In response to this, Galarte argued that “Moraga’s text forces transgender folks to bear the burden of proving loyalty to a nation as well as being the figure that is the exemplar of race, sex, and gender abjection and liberation' (131-32)[incomplete short citation].[18] She was also criticized for her refusal to address transwomen in the essay.[citation needed]

Theater[edit]

From 1994 to 2002, Moraga published a couple of volumes of plays through West End Press of Albuquerque, NM.[19] Moraga has taught courses in dramatic arts and writing at various universities across the United States and is currently an artist in residence at Stanford University. She has written and produced numerous theater productions. She is currently involved in a theatre communications group and was the recipient of the NEA Theatre Playwriting Fellowship Award.[12] In 2009 she received a Gerbode-Hewlett foundation grant for play writing.[7][2]

Watsonville: Some Place Not Here

Moraga's 1996 play, Watsonville: Some Place Not Here Hard disk manufacturer serial number vb6 string length. was commissioned by the Brava Theatre Center with support from the Rockefeller Foundation and had its world premiere at the Brava Theater May 25, 1996. It won the Kennedy Center for the Performing Arts and was winner of the Fund for New American Plays Award from the Kennedy center for the Performing Arts.[20]

The Hungry Woman Cherrie Moraga Pdf Editor

Poems By Cherrie Moraga

Select bibliography[edit]

Books[edit]

  • Loving in the War Years: Lo que nunca pasó por sus labios (1983). Boston: South End Press. ISBN0-89608-195-8.[21]
  • Cuentos: Stories By Latinas (co-editor, 1983). New York: Kitchen Table: Women of Color Press. ISBN0-913175-01-3.
  • This Bridge Called My Back: Writings by Radical Women of Color (1986, co-editor)
    • Esta puente, mi espalda: Voces de mujeres tercermundistas en los Estados Unidos (co-editor, 1988). San Francisco: ism press. ISBN978-0-910383-19-6.
  • The Last Generation: Prose and Poetry (1993). Boston: South End Press. ISBN0-89608-467-1
  • Heroes and Saints and Other Plays (1994). Albuquerque: West End Press. ISBN0-931122-74-0.
  • Waiting in the Wings: Portrait of a Queer Motherhood (1997) Ithaca: Firebrand Books. ISBN1-56341-093-1.
  • A Xicana Codex of Changing Consciousness: Writings, 2000-2010 (2011)[22]
  • Native Country of the Heart: A Memoir (2019). New York: Farrar, Straus, and Girox. ISBN9780374219666.

Cherrie Moraga Quotes

Theater[edit]

  • Giving up the Ghost (1986)[23]
  • Shadow of a Man (1990)
  • Coatlicue's Call/ El llamado de Coatlicue (1990)
  • Heroes and Saints (1992)
  • Shadow of a Man (1992)[24]
  • Heart of the Earth: A Popol Vuh Story (1994)
  • A Circle in the Dirt (1995)
  • Watsonville: Some Place Not Here (1996)[20]
  • The Hungry Woman (1995)
  • Circle in the Dirt (2002)
  • Digging Up the Dirt (2010)[25]
  • New Fire: To Put Things Right Again (2012).[16][26]
  • The Mathematics of Love (2016)[27]

Other works[edit]

  • 'Art in America Con Acento' (1994). Anthologized in Women Writing Resistance: essays on Latin America and the Caribbean (2003). Cambridge, Massachusetts: South End Press. ISBN0-89608-708-5.
  • The Sexuality of Latinas (co-editor, 1993). Berkeley: Third Woman Press. ISBN0-943219-00-0.

Selected critical works on Cherríe Moraga[edit]

  • Alarcón, Norma. “The Theoretical Subject(s) of This Bridge Called My Back and Anglo-American Feminism.” Criticism in the Borderlands: Studies in Chicano Literature, Culture and Ideology. Eds. Héctor Calderón and José David Saldívar. Durham and London: Duke University Press, 1991. 28-39.
  • Allatson, Paul. “‘I May Create a Monster’: Cherríe Moraga's Hybrid Denial.” Antípodas: Journal of Hispanic and Galician Studies 11-12 (1999/2000): 103-121.
  • Allatson, Paul. “Cherríe Moraga.” The Greenwood Encyclopedia of Multiethnic American Literature. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood Press, 2005. Vol. 3: 1520-23.
  • Gilmore, Leigh. Autobiographics: A Feminist Theory of Women’s Self-Representation. Ithaca: Cornell University Press, 1994.
  • Ikas, Karin Rosa. Chicana Ways: Conversations with Ten Chicana Writers. Reno: University of Nevada Press, 2002.
  • Negrón-Muntaner, Frances. “Cherríe Moraga.” Latin American Writers on Gay and Lesbian Themes: A Bio-Critical Sourcebook. Ed. David William Foster. Westport, CT: Greenwood Press, 1994. 254-62.
  • Vivancos Perez, Ricardo F. Radical Chicana Poetics. London and New York: Palgrave Macmillan, 2013.
  • Yarbro-Bejarano, Yvonne. “Cherríe Moraga.” Dictionary of Literary Biography. Vol. 82: Chicano Writers First Series. Eds. Francisco A. Lomelí and Carl R. Shirley. Detroit: Gale/Bruccoli Clark Layman, 1989. 165-77.
  • Yarbro-Bejarano, Yvonne. “De-constructing the Lesbian Body: Cherríe Moraga’s Loving in the War Years.” The Lesbian and Gay Studies Reader. Ed. Henry Abelove, Michèle Ana Barale and David M. Halperin. New York: Routledge, 1993. 595-603.
  • Yarbro-Bejarano, Yvonne. The Wounded Heart: Writing on Cherríe Moraga. Austin: University of Texas Press, 2001.

Awards[edit]

  • United States Artist Rockefeller Fellowship for Literature, 2007.
  • National Association for Chicana and Chicano Studies Scholars Award, 2001.
  • David R. Kessler Award. The Center for Lesbian and Gay Studies, City University of New York. (In honor of contributions to the field of Queer Studies), 2000.
  • The First Annual Cara Award. UCLA Chicano Studies Research Center/ Cesar Chavez Center for Interdisciplinary Instruction in Chicana/Chicano Studies, 1999.
  • The Fund for New American Plays Award, a project of the John F. Kennedy Center for the Performing Arts, 1995 and 1991.
  • Lifetime Achievement Award, Ellas in Acción, San Francisco, 1995.
  • Lesbian Rights Award, Southern California Women for Understanding ('for Outstanding Contributions in Lesbian Literature and for Service to the Lesbian Community'), 1991.
  • The National Endowment for the Arts Theater Playwrights' Fellowship, 1993.
  • The PEN West Literary Award for Drama, 1993.
  • The Critics' Circle Award for Best Original Script, 1992 (Heroes and Saints).[28]
  • The Will Glickman Playwriting Award, 1992.
  • The Drama-logue Award for Playwriting, 1992.
  • The Outlook Foundation, Literary Award, 1991.
  • The California Arts Council Artists in Community Residency Award, 1991-2 /1993-5.
  • The American Book Award, Before Columbus Foundation, 1986.
  • The Creative Arts Public Service (CAPS) Grant for Poetry, New York State, 1983.
  • The Mac Dowell Colony Fellowship for Poetry, New Hampshire, 1982.

See also[edit]

Cherrie Moraga Books

References[edit]

  • (in Spanish) Pignataro, Margarita Elena del Carmen (Arizona State University PhD thesis). 'Religious hybridity and female power in 'Heart of the Earth: A Popol Vuh Story' and other theatrical works by Cherrie Moraga.' (Spanish: El hibridismo religioso y la fuerza femenina en y otras obras teatrales de Cherríe Moraga}}) (Dissertation/Thesis). 01/2009, ISBN9781109102925. UMI Number: 3353695. - This work has an abstract in English and is written in the Spanish language.
  • Carrière, Marie (2012). 'Médée en scène : Deborah Porter, Franca Rame et Cherríe Moraga'. Médée protéiforme. University of Ottawa Press. pp. 77–110. JSTORj.ctt5vkc8z.

Notes[edit]

  1. ^ cherriemoraga.com. 'Cherrie Moraga: Introduction'
  2. ^ ab'Cherrie Moraga: Chicana/o-Latina/o Studies'. Stanford University. Retrieved December 22, 2013.
  3. ^Performing America. University of Michigan Press. 1999. doi:10.3998/mpub.16346. ISBN9780472109852. JSTOR10.3998/mpub.16346.
  4. ^Moraga, Cherríe; Anzaldúa, Gloria (February 11, 2015). This bridge called my back : writings by radical women of color. Moraga, Cherríe, Anzaldúa, Gloria (Fourth ed.). Albany. ISBN9781438454382. OCLC894128432.
  5. ^ ab'Cherrie Moraga'. University of Illinois at Chicago. Archived from the original on October 26, 2015. Retrieved December 22, 2013.
  6. ^Moraga, Cherrie. 'La Guera'(PDF). jonescollegeprep.engschool.org.
  7. ^ abcMoraga, Cherrie (September 1979). 'La Guera'(PDF). Retrieved December 22, 2013.
  8. ^'Cherríe Moraga & 'The Welder''. Literature of Working Women. Workingwomen.wikispaces.com. Retrieved December 22, 2013.
  9. ^ abPhD, María Dolores Costa (June 1, 2003). 'Latina Lesbian Writers and Performers'. Journal of Lesbian Studies. 7 (3): 5–27. doi:10.1300/J155v07n03_02. ISSN1089-4160. PMID24816051.
  10. ^Moraga, Cherríe L. (1983). Loving in the War Years. Boston: South End Press. p. 123. ISBN978-0-89608-195-6.
  11. ^'Cherrie Moraga Biography - (1952– ), This Bridge Called My Back: Radical Writings by Women of Color'. JRank Articles. Retrieved December 22, 2013.
  12. ^ ab'Cherrie Moraga'. Voices From the Gaps. University of Minnesota. Retrieved December 22, 2013.
  13. ^Short, Kayann. Coming to the Table: The Differential Politics of 'This Bridge Called my Back', Genders 19 (1994): pp. 4-8.
  14. ^Yarbro-Bejarano, Yvonne. The Wounded Heart: Writing on Cherríe Moraga. Austin: University of Texas Press, 2001.
  15. ^'Cherrie Moraga - Cherrie Moraga Biography - Poem Hunter'. www.poemhunter.com. Retrieved September 2, 2018.
  16. ^ abIvan Villanueva (December 13, 2011). 'Cherrie Moraga Aims to Ignite a New Fire'. The Advocate. Retrieved December 18, 2011.[permanent dead link]
  17. ^Collado, Morgan. 2016. “XQsí Magazine — On Actually Keeping Queer Queer: A Response to Cherrie Moraga.” Accessed July 17. http://xqsimagazine.com/2012/04/13/on-actually-keeping-queer-queer-a-response-to-cherrie-moraga/.
  18. ^ abGalarte, Francisco J. 2014. “TRANSGENDER CHICAN@ POETICS: Contesting, Interrogating, and Transforming Chicana/o Studies.” Chicana/Latina Studies 13 (2): 118–39.
  19. ^'Moraga, Cherríe L.: Heroes and Saints'. NYU School of Medicine. February 19, 1998. Retrieved December 22, 2013.
  20. ^ abVG/Voices from the Gaps Project: Merideth R. Cleary and Erin E. Fergusson
  21. ^Tatonetti, Lisa (2004). ''A Kind of Queer Balance': Cherríe Moraga's Aztlán'. MELUS. 29 (2): 227–247. doi:10.2307/4141827. JSTOR4141827.
  22. ^A Xicana Codex of Changing Consciousness: Writings, 2000–2010
  23. ^Manus, Willard (March 13, 1998). 'Giving Up the Ghost, About a Chicana Lesbian, Opens Mar. 13 in San Diego'. Playbill. Archived from the original on December 24, 2013. Retrieved June 4, 2013.
  24. ^Shaw, Stephanie. 'Shadow of a Man/No One Writes to the Colonel'. Chicago Reader. Retrieved August 7, 2018.
  25. ^López, Tiffany Ana (2010). Moraga, Cherríe; Anthony, Adelina (eds.). 'PERFORMANCE REVIEW: The Staging of Violence Against and Amongst Chicanas in 'Digging Up the Dirt' by Cherríe Moraga (2010)'. Chicana/Latina Studies. 10 (1): 108–113. JSTOR23014551.
  26. ^Céspedes, Erika Vivianna (January 13, 2012). 'Moraga Returns With A New Fire; To Put Things Right Again'. Silicon Valley De-Bug. Retrieved December 22, 2013.
  27. ^'Brava presents the world premiere of The Mathematics of Love'. www.brava.org. Retrieved 09/9/2017.Check date values in: |access-date= (help)
  28. ^Peterson, Jane T.; Bennett, Suzanne (1997). Women Playwrights of Diversity: A Bio-bibliographical Sourcebook. Greenwood Publishing Group. p. 252. ISBN9780313291791.

External links[edit]

The Hungry Woman Cherrie Moraga Pdf Editor Online

  • Cast Out: Queer Lives in Theater (University of Michigan Press, edited by Robin Bernstein) includes Moraga's essay, 'And Frida Looks Back: The Art of Latina/o Queer Heroics.'
  • Esta puente, mi espalda: Voces de mujeres tercermundistas en los Estados Unidos (co-editor, 1988). San Francisco: ism press. ISBN978-0-910383-19-6 (paperback); ISBN978-0-910383-20-2 (hardcover)
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